Showing posts with label Providence. Show all posts
Showing posts with label Providence. Show all posts

Thursday, March 15, 2012

The Vow and Walker Percy "We have sinned and grown old"

This week I went with my wife to see The Vow. In the film, a wife (Paige) emerges from a coma forgetting who her husband (Leo) is. He spends the film trying to win her back and trying to learn how to love this new woman his wife has become. For my own part, I liked the movie. It wasn't great filmmaking, but I was partial to the soundtrack (some prominent songs by The National) and found myself somewhat absorbed by the whole concept of a man trying to get his wife, who has forgotten him, to love him again.

In reflecting on the film, I was reminded of the first chapter of Walker Percy's book Lost in the Cosmos. In the book, Percy spends time exploring man's self-alienation and desire to escape from himself. Percy appreciates that this is a somewhat modern phenomenon (Percy rightly observes that there was no word in the ancient world for 'boredom,' for example). Why is it that man so strongly desires to not be himself? Percy asks. In particular, Percy spends some time getting his reader to reflect on the usage of amnesia as a plot device in movies.
A variant of the amnesic-plot device is the inadvertent return of the amnesiac to home territory, where he is welcomed by a lovely woman, unknown to him, who is evidently his wife. The crucial scene is his being led off to bed... The source of pleasure for the moviegoer is not the amnesia but the certified and risk-free license to leave the old self behind and enter upon a new life, whether by amnesia or mistaken identity.
There is, indeed, a similar scene in The Vow where Leo decides to take Paige out on a date and try to get her to remember him. Though they have been married for years, here they end up sleeping together and spending the night as a brand new couple who barely know one another. The viewer is, of course, tantalized to a certain degree at the newness of all of this, but then they keep reminding themselves that these two people are married. Percy should have stopped writing brilliant novels and worked on some screenplays.

The Vow
has been a popular movie, and I understand that the movie was 'inspired' (loosely) by a true story. But I think Percy is on to something in his comments. People go to movies to find an escape. In many respects, there is something romantically intriguing about a tale where a woman wakes up with license to throw away the encumbrances of the decisions made for a half decade. After all, she has no choice in the matter - she has amnesia. What person does not - on some level - want to abandon their life only to experience the life she knows from a new perspective? Recall at the end of the movie 50 First Dates. Drew Barrymore wakes up in a strange bed, on a boat. She watches a video summarizing her life up to that point and being told that she has a daughter and she should come above deck to meet her family she has made anew for another day. Every day for her is new. Every day is a delight and discovering of the new.

One of the keys to living a life of joy (and I stress this is not the only or even the best key) is choosing to see each moment from Drew Barrymore's perspective in that movie - only without the amnesia. I quote Chesterton now:
It is possible that God says every morning, “Do it again” to the sun; and every evening, “Do it again” to the moon. It may not be automatic necessity that makes all daisies alike; it may be that God makes every daisy separately, but has never got tired of making them. It may be that He has the eternal appetite of infancy; for we have sinned and grown old, and our Father is younger than we. The repetition in Nature may not be a mere recurrence; it may be a theatrical encore.
What we need is not to lose our memory in order to reclaim the joy of life. What we need is perspective. "And he is before all things, and by him all things consist" (Col. 1:17). I turn to Jonathan Edwards:
It is plain, nothing can exert itself, or operate, when and where it is not existing [because] what is past entirely ceases when present existence begins…it does no more co-exist with it, than it does any other moment that had ceased twenty years ago.
There is a reason why God every morning cries out, "Again!" It is because the Sun cannot speak for itself. It does not have the power of self-sustenance. Every moment is anew. We have become bored of God's continuous work in creation, not because we understand it, but because we have ceased to understand it.

Sunday, December 18, 2011

One Paragraph Theodicy from Alvin Plantinga

A smidge of background: in this section, Plantinga is discussing the importance of God's own self-sacrifice in the larger context of discussing animal death.
This overwhelming display of love and mercy is not merely the greatest story ever told; it is the greatest story that could be told. No other great-making property of a world can match this one. If so, however, perhaps all the best possible worlds contain incarnation and atonement, or at any rate atonement. But any world that contains atonement will contain sin and evil and consequent suffering and pain. Furthermore, if the remedy is to be proportionate to the sickness, such a world will contain a great deal of sin and a great deal of suffering and pain. Still further, it may very well contain sin and suffering, not just on the part of human beings but perhaps also on the part of other creatures as well. Indeed, some of these other creatures might be vastly more powerful than human beings, and some of them—Satan and his minions, for example—may have been permitted to play a role in the evolution of life on earth, steering it in the direction of predation, waste and pain. (Some may snort with disdain at this suggestion; it is none the worse for that.) Not everyone agrees with this theodicy; and perhaps no theodicy we can think of is wholly satisfying. If so, that should not occasion much surprise: our knowledge of God’s options in creating the world is a bit limited. Suppose God does have a good reason for permitting sin and evil, pain and suffering: why think we would be the first to know what it is?
Where the Conflict Really Lies, by Alvin Plantinga
(Kindle Edition, Loc. 978-89)

Friday, March 11, 2011

Zanchi on Divine Causality

But since God by His providence doth preserve second causes which He useth in governing the world, everyone in her proper nature, yea, and is the mover of them--and of them, some are ordained of their own nature to certain and sure effects, and other some [others] are indefinite--we know and confess that although in respect of God, without whose foreknowledge and will nothing can happen in the world, all things are done necessarily (Matt. 10:29-30). Yet in respect of us, and of the second causes, many things happen and come to pass chanceably [by chance]. For what can be more chanceable [?] and casual, to a carpenter and travailer [traveller ?] than if the ax fall out of his hand and kill the other (Ex. 21:13)? Yet the Lord saith [sayeth] that it is he which killed the travailer [traveller]. And our Lord Jesus died willingly; yet He said, Christ must suffer (Luke 24:46). Herod and Pilate, of their free will, condemned Jesus; yet the apostles say they did nothing but what the hand and counsel of God had decreed to be done (Acts 4:28).
Jerome Zanchi
Confession of the Christian Religion
Chapter 6, Section 5